在线国产一区二区_成人黄色片在线观看_国产成人免费_日韩精品免费在线视频_亚洲精品美女久久_欧美一级免费在线观看

Global EditionASIA 中文雙語Fran?ais
Culture
Home / Culture / Heritage

Calligraphy offers strokes of tradition

Italian Sinologist delves deep into visual art form, searching for its true legacy and historical value, Fang Aiqing reports.

By Fang Aiqing | China Daily | Updated: 2025-02-11 07:44
Share
Share - WeChat
Wang Xizhi's brushwork for the collated character sha, or sands, compared to the scorpion's stinger. [Photo provided to China Daily]

Effortless virtuosity

During collating, Huairen prioritized resurrecting Wang's writing in its natural state, De Laurentis says.

Although the characters were selected one by one from different scrolls written at various stages of Wang's life, Huairen endeavored to present a unified writing style while keeping variations, particularly in repeated words, and paid attention to making the joints of neighboring characters look natural and coherent.

Notably, Huairen intentionally included some roughly written characters to restore Wang's daily, casual manner of writing.

De Laurentis uses the classical musical expression sprezzatura to emphasize a fundamental pursuit in calligraphy — even if a piece aims to demonstrate strong and forceful strokes, the actual writing process has to be performed in an effortless way.

Like music, calligraphy is an art of time and space.

The interconnections between strokes and characters are shown by the works of calligrapher and theorist Sun Guoting (646-691). [Photo provided to China Daily]

For Chinese characters, the order of strokes is much more complicated than that of phonetic writing systems like English or Arabic. which are written simply from left to right, or vice versa.

To write a Chinese character, the movement of the brush can be up and down, left to right, or outside-in — every possible direction imaginable — not to mention the kaleidoscopic composition and proportional distribution of different components.

"The relationship between different components is like the flow of a melody: sometimes loose, sometimes tight; sometimes slow, sometimes fast. It's a process of constant fluctuation and resonance," De Laurentis says.

Playing a single note can be done in a blink, like writing a character. The continuity and interplay of each stroke counts and there can be no reversal or adjustment to the completed strokes.

Fine strokes exhaust the potential and resilience of the brush tips, much like a varied finger touch makes a single key on the same piano produce different textures of sound.

Imagine when a pianist takes a new sheet of classical music and reads the notes — sometimes conducted by a metronome — striving to reproduce exactly what the various notations on the score indicate.

Yet, when they become more familiar with the music and can interpret its voice parts, harmony and chord progression with their own subtle ingenuity, the music becomes spontaneous and embedded with the musician's identity. Learning calligraphy involves a similar process.

Therefore, interpretations and imitations of the works of great calligraphers are crucial in calligraphy, not only for perfecting the techniques but also for experiencing human emotions and wisdom and refining one's character.

Chinese calligraphy's origin of the character ma, or horses, dates back to the 5th century BC and is written in zhuanshu (seal script) style. [Photo provided to China Daily]

No later than the Western Zhou Dynasty (c.11th century-771 BC) had the Chinese developed an emphasis on beautiful writing, according to De Laurentis.

People from various social strata cultivated aesthetics through writing while accumulating wisdom in dealing with the richness and complexity of character structures, the abundance of styles and the combination of different components.

"It reflects a person's unique way of thinking and problem-solving."

Moreover, calligraphy mirrors the mind. De Laurentis expresses his admiration for Master Hongyi (1880-1942), whose name was Li Shutong before becoming a Buddhist monk and making great achievements in painting, composition, theater, calligraphy, seal carving and poetry.

"When copying other calligraphers' works, Master Hongyi withdrew himself and wholeheartedly conformed to strokes and the temperament of others. He demonstrated compassion and universal love in his facsimiles," says De Laurentis.

Most Popular
Top
BACK TO THE TOP
English
Copyright 1995 - . All rights reserved. The content (including but not limited to text, photo, multimedia information, etc) published in this site belongs to China Daily Information Co (CDIC). Without written authorization from CDIC, such content shall not be republished or used in any form. Note: Browsers with 1024*768 or higher resolution are suggested for this site.
License for publishing multimedia online 0108263

Registration Number: 130349
FOLLOW US
主站蜘蛛池模板: 精品久久久久久久久久 | 国产一区二区三区久久久 | 中国黄色一级毛片 | 北条麻妃国产九九九精品小说 | 国产午夜视频在线观看 | 91麻豆蜜桃一区二区三区 | 国产一区二区av | 毛片一级| 手机看片日韩 | 欧美一区二区免费 | 国产激情免费 | 久久99精品久久久久久园产越南 | 国产在线免费 | 中文字幕自拍偷拍 | 蜜桃免费视频 | 免费视频二区 | 一区二区三区观看视频 | 国产精品11 | 日本免费www | 香蕉大人久久国产成人av | 中文字幕一区二区三区不卡 | 欧美日韩综合精品 | 国产乱精品一区二区三区视频了 | 国产精品片aa在线观看 | 亚洲国产精品99 | 日本一区二区视频在线观看 | 福利视频网址导航 | 国产免费一区二区三区 | 欧美黄色一级 | 日韩三级电影在线免费观看 | 成人免费一区二区三区 | 95香蕉视频 | 精品国产一区二区三区久久影院 | 久久精品国产一区 | 亚洲免费高清 | 久久国产精品99久久久久久老狼 | 一级毛片视屏 | 视频在线观看一区 | 亚洲电影一区二区 | 日韩性色视频 | 亚洲精品在线播放视频 |