The troupe's young actors also support this transformation of embracing the younger generation.

Bai Mengmeng, an 18-year-old said, "We must uphold traditional culture but also innovate to cater to young people's needs, because the present era belongs to the youth."

The livestreams have been crucial to getting a younger following from the beginning, An said, adding that during the streams he'd explain Qinqiang techniques, share stories about the art form and highlight the unique charm of the opera.

"As my fan base grew, I formed my own hundred-member troupe and started livestreaming performances," he said.

An's success has been remarkable, with sellout performances wherever the troupe goes.

Wang Peng, a 13-year-old fan from Hubei province said: "I love Qinqiang Opera very much and also admire An Wan. He is a brilliant actor and can convey his inner feelings and emotions through singing, helping young people better understand the art and continue its legacy."

Data released by Kuaishou shows a rising interest in Qinqiang Opera.

In December, views on the platform related to Qinqiang increased by 65 percent compared to the previous year and by 46 percent compared to June.

He Xiaozu, head of the Gansu Provincial Department of Culture and Tourism, said, "It is not easy for private troupes to achieve what they have today within a year.

"Preserving the original flavor of Qinqiang, rediscovering lost plays and cultural traditions, and organizing nearly lost scripts is crucial."

Contact the writers at zhaoruinan@chinadaily.com.cn